my favorite creative endeavor
Here, you’ll find tunes I’ve made under my moniker, Infinity Chamber.
The project was named after Stanley Landsman’s immersive Walk-In Infinity Chamber found in the Milwaukee Art Museum.
Upon entering an unassuming 11.5’x11.5’x11.5’ cube, the visitor is transported into an infinite, warm, glowing void in which the space around them never seems to end. I’ll never forget the sparkling feeling of warm weightlessness I felt when I first experienced it. It’s a feeling I often find now when spending time in nature.
When I began this project in 2012 at ripe old age of 18, my aim was to evoke that same ethereal feeling in listeners through sparkly sound design, warm atmospheres, and a slightly analog, organic feel that’s not often found in electronic music.
My tracks tend to move through a few different themes, with energetic synths and melodies paving the way for calmer, more atmospheric sections later on.
Some tracks below aren’t completely finished, but I still like the musical ideas they contain, so they still earned a spot. (Plus, I love hearing other artists’ works in progress.)
I hope you enjoy, and thank you so much for listening. It means the world to me whenever anyone lends an ear and a head bop, if that’s your thing.
PS: Please listen on a high fidelity system if possible. I promise, you’ll be happy you grabbed your best pair of headphones and hit fullscreen.
glitch hop.
A very fun, out-there genre focused on syncopated rhythms and melodies that trade with colorful off-beat fills. Typically between 100-120 BPM.
house.
Perhaps the genre with the most flavors, everyone loves some kind of house music. Typically 120-130 BPM, or 128 if you’re a purist.
I tend toward melodic progressive and electro house because I like using plucky, detuned saw chords.
The first track below, Falling for You, features an original vocal, and was the first track I’ve ever sung on.
the i-don’t-know-what-genre-this-is stuff.
I’m not quite sure what to call this, but I sure do like making it. Both tunes below are kinda future garagey, kinda glitchy, and around 140 BPM.
What else do they have in common? They’re both unfinished works in progress.
melodic dubstep.
I was hugely influenced by Virtual Riot and Au5 back when I started my music production journey, and that was their bread-and-butter at the time.
This genre often features big saw chords and bassy, glitchy fills similar to glitch hop. Most of what’s below will likely never see a release, or is liable to get mashed up with the section above to finish those tracks. We’ll see!
Usually between 140-150 BPM, but almost exclusively 150 BPM the last few years. It’s cool how musical genres change over time.